Jean-Pierre Hébert –résumé.
Born 1939 in Calais, France. Lives in Santa Barbara, California, since 1985.
Education
Faculté de Droit de Paris (1962-63), Arts & Métiers (Lille, 1957-60 and Paris, 1960-61).
Selected Solo Exhibitions
* 2002
* ``Art on Plasma’’, HiFi Club (Santa Barbara, California).
* ``Traces on Sand and Paper’’, a didactic show at Monlleo Gallery, Elaine LeVasseur, Curator (Santa Barbara, California).
* 2001
* ``Traces on Sand and Paper’’, Arizona State University, The Computing Commons Gallery, Barbara Eschbach, Curator (Tempe, Arizona ).
* The University of Texas at Austin, Department of Art & Art History, Tim High, Curator (Austin, Texas).
* 2000
* ``On Lines’’ at DesignArc, Elaine Levasseur, Curator (Santa Barbara, California).
* ``Recent Works’’, Private Exhibition (Los Altos Hills, California).
* 1989
* IBM Research Center (La Gaude, France).
* ``Sans lever la plume’’, Galerie Alphonse Chave, Pierre Chave, Curator (Vence, France).
* 1979
* ``Six Dessins à Main Levée’’, Galerie 90 (Paris, France).
Selected Two-Person Exhibitions
* 2003
* ``Jean-Pierre Hébert & Victor Raphael: Illuminated Collaboration“, Karpeles Manuscript Library and Museum (Santa Barbara, California).
* 2001
* ``Unus Mundus: From the Digital to the Sublime’’, El Camino College Art Gallery, with Victor Raphael, Susanna Meiers, Curator (Los Angeles, California ).
Selected Group Exhibitions
* 2002
* William Paterson University (Wayne, New Jersey)
* ``ArtBits’’, Photokina (Cologne, Germany)
* ``ArtBits’’, Akademie der Kuenste (Vienna, Austria).
* ``Santa Barbara Printmakers’’, Faulkner Gallery, (Santa Barbara, California).
* ``Opera Totale’’, (Venice, Italy).
* 2001
* ``26th Brooklyn Print National’’, Brooklyn Museum of Art, Marilyn Kushner, Curator (Brooklyn, New-York).
* ``Ink and Clay 27’’, W.Keith and Janet Kellogg University Art Gallery, Marti Koplin, Curator (Los Angeles, California).
* ``Canal Walk’’, (Cape Town, South Africa).
* The College of New Jersey Art Gallery (Ewing, New Jersey).
* Santa Barbara Printmakers Society, Suzanne Muchnic, Curator (Santa Barbara, California ).
* ``Cohen Hébert Mohr Verostko’’, Exhibition of the Frank Dietrich & Zsuzsa Molnar Collection (Los Altos Hills, California).
* ``Chaos, Fractals and Artificial Life’’, Spanish Cultural Center, Umberto Roncoroni, Curator (Lima, Peru).
* ``N-Space’’ Siggraph Art Gallery, Juried Show, Dena Eber, Chair (Los Angeles, California ).
* ``Nordic-Interactive’’ (Copenhagen, Denmark).
* ``Santa Barbara Printmakers”, Lacuna Gallery (Santa Barbara, California ).
* 2000
* George Mason University (Fairfax, Virginia).
* Imagina: ``Villages de l’Innovation’’ (Monaco).
* Mississippi State University, Department of Art (Starkville, Mississippi).
* Kiasma: ``Alien Intelligence’’, The Museum of Contemporary Art, Erkki Huhtamo, Curator (Helsinki, Finland).
* Santa Barbara Printmakers Society, Maudette Ball Finck, Curator (Santa Barbara, CA).
* ``Print-In 2000’’, Contemporary Arts Forum (Santa Barbara, California).
* ``Digital Images: Art in the Electronic Age’’ (City of Brea Gallery, California).
* ``Media Manipulations’’ UAB Visual Arts Gallery (University of Alabama at Birmingham).
* ``Generative Art’’ (Milano, Italy).
* 1999
* UCSB Winter Art Symposium, Speaker (Santa Barbara, California).
* Alpers Fine Art (Boston, Massachussets).
* The Art Institute of Houston (Houston, Texas).
* The Science Museum of Minnesota, ``The Forecast Project’’ : ``Sisyphus’’ with Bruce Shapiro (St. Paul, Minnesota).
* Siggraph’99 ``TechnOasis’’, Juried Show (Los Angeles, California).
* The Sausalito Art Festival (San Francisco, California ).
* ``Quai des Bulles’’ (Palais du Grand Large, Saint Malo, France).
* The Santa Monica College Art Gallery, Exhibitor and Speaker (Los Angeles, California ).
* 1998
* ``Dessins Ecritures en Boustrophédon.’’ Galerie Alphonse Chave, Pierre Chave, Curator (Vence, France).
* The Living Arts Center (Mississauga, Ontario, Canada).
* Siggraph’98 ``Art and Design Show’’, Juried Show (Orlando, Florida).
* ``ComputerKunst’98’’ (Museum der Stadt Gladbeck, Germany).
* ``Art-Math’98’’, UCB (Berkeley, California).
* ``Art+Aesthetics of Artificial Life’’, UCLA (Los Angeles, California).
* Sausalito Art Festival (San Francisco, California ).
* ``Science as Art’’, Indiana and Purdue Universities, IUPUI Cultural Arts Gallery (Indianapolis, Indiana).
* Sand illustrations for Stephanie Strickland’s poem ``Ballad of Sand and Harry Soot’’.
* 1997
* Siggraph’97 ``Ongoings: The Fine Arts Gallery’’, Juried Show (Los Angeles, California).
* Siggraph’97 ``Artists sketches’’.
* ``Digital Perspective 1997’’ at the Ukrainian Institute of Modern Art (Chicago, Illinois).
* Fraunhofer Institute for Computer Graphics (Darmstadt, Germany).
* 1996
* Galerie Alphonse Chave (Vence, France).
* 1995
* Siggraph’95 ``Art and Design Show’’, Juried Show (Los Angeles, California).
* Siggraph’95 Panel: ``Algorithms and the Artist’’ Speaker (Los Angeles, California).
* 1994
* California State University at Chico, Art Department (Chico, California).
* Siggraph’94 ``Art and Design Show’’, Juried Show (Orlando, Florida).
* 1993
* Institute of Modern Art (Brisbane, Australia).
* ``Digital Salon des Indpendants’’, Patric Prince, Curator (West Hollywood, California).
* ``Haute Tension IV’’, Galerie Alphonse Chave (Vence, France).
* 1992
* Siggraph’92 ``Art and Design Show’’, Juried Show (Chicago, Illinois).
* Third International Symposium on Electronic Art (Sydney, Australia).
* 1991
* The Mathematica Conference (San Francisco, California).
* California State University of Stanislaus (Turlock, California).
* Symposium ``Art & Algorithm - Mind & Machine’’, at the Minneapolis College of Art & Design, (Minneapolis, Minnesota).
* ``Le Groupe Agonal’’, Galerie Alphonse Chave (Vence, France).
* Siggraph’91 ``Art and Design Show’’, Juried Show (Las Vegas, Nevada)
* New Mexico State University, University Art Gallery (Las Cruces, New Mexico).
* ``Interface: Art & Computer’’, Park Avenue Atrium Art Gallery (New-York).
* ``DADA/DATA’’, Maryland Art Place & the University of Maryland Baltimore County (Baltimore, Maryland).
* 1990
* Hartje Gallery (Frankfurt, Germany, and Gilford, New Hampshire).
* Instituto de Estudios Norte Americanos (Barcelona, Spain).
* Museo de Salamanca, Salamanca University (Salamanca, Spain).
* Siggraph’90 ``Art and Design Show’’, Juried Show (Dallas, Texas ; Computer Museum, Boston, Massachussets).
* ``Infinite Illusion: The World of Electronically Created Imagery’’, The Smithsonian Institution, Joan Truckenbrod, Curator (Washington, DC).
* Frankfurt Book Fair (Frankfurt, Germany).
* Second International Symposium on Electronic Art (Groningen, Holland).
* Castellani Art Museum, Niagara University (Niagara, New-York).
* 1989
* Siggraph’89 ``Art and Design Show’’, Juried Show (Computer Museum, Boston, Massachussets).
* ``Art Junction’’ (Nice, France).
* Frankfurt Book Fair (Frankfurt, Germany).
* 1959
* Arts et Métiers, Pierre Soleillant, Curator (Lille, France).
Selected Awards, Honors, Residencies, Commissions
* 2002 Santa Barbara Printmakers, award.
* 2000 Fondation La Ferthé/ Fondation de France (Paris), grant.
* 2000 Kiasma, The Museum of Contemporary Art (Helsinki, Finland), commission.
* 1998 The Science Museum of Minnesota (Saint Paul), commission.
* 1998 Cone Editions Press (Vermont), residencies.
* 1997, 1998 Camera Works (New-York), commissions.
Selected Collections
* Frank Dietrich & Zsuzsa Molnar (Los Altos Hills).
* Elaine Levasseur (Santa Barbara).
* Scott & Robyn McClaine (Santa Barbara).
* Anne Morgan Spalter (Providence).
* Camera Works (New-York).
* Santa Barbara County Arts Commission .
* Galerie Alphonse Chave (Vence).
Selected Gallery Representations
* France: Galerie Alphonse Chave (Vence)
* Los Angeles: Hunsaker Schlesinger Fine Arts
* San Francisco: Patricia Sweetow Gallery
Contact information
Telephone: (805) 563-5556
Email: hebert@kitp.ucsb.edu
Personal website: http://hebert.kitp.ucsb.edu/
Selected Reviews/ Publications
* 2002
* Nicholas Lambert, PhD Art History Dissertation (Oxford, 2002)
* Mike King, Digital Art Museum pioneer page: http://dam.org/hebert/
* “Works from the algorithmic paintbox“ Joseph Woodard, Santa Barbara News Press
* D.J. Palladino, Santa Barbara Independent, Santa Barbara Magazine
* “Diversity in digital print” Georges Whale, Printmaking Today vol.11 #2.
* 2001
* Review ``26th Brooklyn Print National’’, Digital Fine Art Magazine Summer Issue.
* ``26th Brooklyn Print National’’, Brooklyn Museum Catalog.
* Review ``A must-see show’’, by Joan Crowder, Santa Barbara Independent (April 20).
* 2000
* ``Alien Intelligence’’ (Kiasma Museum Catalog).
* ``The New A, B, C: Algorithm, Body, Computer’’, by Jennifer Mahlman, Contemporary Impressions, Journal of the American Print Alliance (Fall Issue, Volume 8 #2).
* ``Munhwa Kihaing’’ Cultural Agenda produced by Song Won Dae (Korean Broadcast Systems).
* Review ``Machine Ghosts’’ by D.J. Palladino, Santa Barbara Independent (September 21).
* 1999
* Review in ``The Computer in the Visual Arts’’, by Anne Morgan Spalter (Addison Wesley).
* ``ArtByte’’ back covers (December 1998 & February 1999).
* Review in ``Art on Paper’’ (March).
* ``Graphics Gallery’’ cover article, Mathematica Journal (Volume 7, Issue 3).
* Review in ``Media Art’’ by Machiko Kusahara, InterCommunication (Issue 31).
* About ``Time and Impermanence’’ in Tricycle: The Buddhist Review (Web supplement).
* 1992, 1994, 1995, 1996, 1997, 1998
* Siggraph Visual Proceedings (Catalogs and CDROMs).
* 1991
* Computer Graphics World (July Issue), ``Computers in Art and Design’’, Isaac V. Kerlow (Siggraph’91).
* 1990
* Cover article, The Mathematica Journal (Fall Issue).
* Leonardo (Journal of the International Society for the Arts, Science, and Technology, Supplemental Issue 1990).
* The Journal of the ACM (December Issue).
* 1989
* SunTech Journal (Fall Issue).
* Leonardo (Journal of the International Society for the Arts, Science, and Technology, Supplemental Issue 1989).