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" die Forelle " (1997)
pen and white ink on slate paper, detail 5x3in. within 12.5x9in.

drawings in the 70s

first drawings from software. randomly tiled geometry à la anni albers in a series of eight pieces, only one still existent. red and black inks from felt pen.

line works mediated on a small plotter and programmed in rocky mountains basic on an early small hewlett-packard lab computer.

lnfluence: bauhaus art, benoit mandelbrot's self-similarity papers.

so far as composition is concerned, every former school of art can be said to have had a more or less mathematical basis. (max bill)

creative commons license jean-pierre hébert contact. (20 Apr 2008)