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cobalt blue spiral line, tightening (2002)
pen and acrylic ink on paper, 13x13 strathmore paper

drawings in the 70s

first drawings from software. randomly tiled geometry à la anni albers in a series of eight pieces, only one still existent. red and black inks from felt pen.

line works mediated on a small plotter and programmed in rocky mountains basic on an early small hewlett-packard lab computer.

lnfluence: bauhaus art, benoit mandelbrot's self-similarity papers.

to approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual.
(piet mondrian)

creative commons license jean-pierre hébert contact. (20 Apr 2008)