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--next--> drawing on wet paper a collaboration with tatiana ginsberg at the ucsb paper studio: placing a newly formed sheet of still wet paper on Ulysses, and placing the ball on top, i can create a trace in the pulp; once dry it makes an interesting, delicately textured, white over white drawing in light relief. first session: failure; second: three pieces; third three pieces; fourth session pending. the results are here.
" untitled " (2001)
sand trace 166, detail 5x5in.
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we call those works of art concrete that came into being on the basis of their inherent resources and rules - without external borrowing from natural phenomena, without transforming those phenomena, in other words: not by abstraction. (max bill) |
jean-pierre hébert
contact. (20 Nov 2007)